Such incongruent juxtapositions — which include a tempting plate of brownies, a junior Girl Scout, a Native American in profile, and quotes of masterworks such as an Aztec mosaic — critique the trivialization of Chicano culture by mainstream American advertising and allude to the rich cultures that stereotypes obscure. E. CARMEN RAMOS: This is Mel Casas’ “Humanscape 62,” which is a painting that he executed in 1970. Mel Casas, “Humanscape 68 (Kitchen Spanish)” (1973), 72″ x 96″, acrylic/canvas. The paintings and their images are not to be reproduced, copied, or used for any other purposes without explicit permission.. Melesio "Mel" Casas was a Chicano artist, activist, writer and teacher. BROWNIES OF THE SOUTHWEST Humanscape 62 72" X 96" 1970. The trio of exhibits trace almost the entire progression of Mel Casas' 150 Humanscape paintings from 1965 to 1989. The McNay curators thought so highly of Mel Casas that they added yet another selection of only his work— Mel Casas: Human— which they placed in the downstairs exhibit space. mel casas contemporary hispanic chicano modern artist NOTICE: All paintings represented on this site are the original work of Mel Casas. He used visual statements, his sense of humor and love of puns to "address cultural stereotypes." Melesio "Mel" Casas (November 24, 1929 – November 30, 2014) was a Chicano artist, activist, writer and teacher. E. CARMEN RAMOS: This is Mel Casas’ “Humanscape 62,” which is a painting that he executed in 1970. E. CARMEN RAMOS: This is Mel Casas’ “Humanscape 62,” which is a painting that he executed in 1970. Casas got the idea for the Humanscape series in 1965, when he drove past a drive-in theater. For the most part, the show was comprised of Casas’ smaller paintings. This painting is divided into three different sections: the large screen image, which recalls old-fashioned televisions. The trio of exhibits trace almost the entire progression of Mel Casas' 150 Humanscape paintings from 1965 to 1989. Bajo el Mismo Sol 000 17. Available for sale from Ruiz-Healy Art, Mel Casas, Humanscape 94: Art Lures (1978), Acrylic on canvas, 72 × 96 in This exhibition is organized by Bianca Alvarez, Semmes Foundation Intern in Museum Studies, 2017-2018, for the McNay Art Museum. It was remodelled completely in 2017. Museum purchase through the Luisita L. and Franz H. Denghausen Endowment. Undocumented 000 15. Melesio “Mel” Casas, Humanscape 62, 1970, acrylic, Smithsonian American Art Museum, Museum purchase through the Luisita L. and Franz H. Denghausen Endowment. He used visual statements, his sense of humor and love of puns to "address cultural stereotypes." Keep in touch by subscribing to news and updates from SAAM and Renwick Gallery. (182.9 × 243.8 cm) Credit Line Bequest of Robert H. Wilson, Jr. It has a great location, close to restaurants, supermarkets, mini golf, go-kart and the sea. Movies. All public programs are online only, on-site public tours and events are currently suspended. I believe Humanscape 62 crystallized many recurring concerns in Casas' art and early Chicano art of the late 1960s and early 1970s. GETTING the BIG PICTURE: Political Themes in the Art of MEL CASAS, 1968-1977. A new traveling exhibition from the Smithsonian American Art Museum, "Our America: The Latino Presence in American Art," now at the Utah Museum of Fine Arts, seeks to provide an a "12 His work has been collected by the San Antonio Museum of Art, Smithsonian American Art Museum,3 and nationally and internationally.4 He is best known for his series of 150 … Casas’ Humanscape 62 crystallizes many of the recurring concerns featured in Chicano art of the late 1960s and 1970s. Artist Mel Casas (American, 1929–2014) Culture / Nationality American. 5 of 10 Humanscape 70 (Comic Whitewash), left, Humanscape 68 (Kitchen Spanish) and Humanscape 65 (New Horizons) are part of the show "Getting the Big Picture: Mel Casas and the Politics of … IMAGE 2: MEL CASAS, HUMANSCAPE 63, 1969. Artemio Rodríguez. Melesio “Mel” Casas, the artist of the acrylic “Humanscape 62” (1970), served in the Korean War is originally from El Paso.He was like many American artists interested in abstraction. Menu. Casas decided it would be his last Humanscape because he had run out of clichés to mock. Join Facebook to connect with Mel Casas and others you may know. Some might wonder: what makes this painting so iconic? Humanscape 62 . This episode looks at the painting Humanscape 62 by Melesio Casas. Maceo Montoya. Melesio “Mel” Casas, Humanscape 62, 1970, acrylic, Smithsonian American Art Museum, Museum purchase through the Luisita L. and Franz H. Denghausen Endowment. Mel Casas: Human is presented in tandem with Pop América, 1965–1975, in which the artist is also featured; the two exhibitions mark the premiere of the artist’s work at the McNay. His work has been collected by the San Antonio Museum of Art, Smithsonian American Art Museum, and nationally and internationally. IMAGE 3: MEL CASAS, HUMANSCAPE 62, 1969. Humanscape 141 72" X 96" 1987. The Smithsonian American Art Museum is proud to own paintings by artist, including Humanscape 62, which was featured in our exhibition Our America: The Latino Presence in American Art. In the early 1970s, Chicano activists successfully lobbied the Frito-Lay Company to remove its cartoon mascot for Frito-Lay corn chips, the Frito Bandito, from public circulation. An interview of Mel Casas conducted in 1996 August 14-16, by Paul Karlstrom, for the Smithsonian Archives of American Art. Malaquias Montoya. ... All paintings represented on this site are the original work of Mel Casas. Casas is best known for a handful of paintings with Chicano themes, such as Humanscape 65 (New Horizons, 1971) and Humanscape 68 (Kitchen Spanish, 1973), which have been featured in many traveling exhibitions. "Mel Casas: Artist as Cultural Adjuster" is a book that will appeal to many audiences from everyday people to academics. Available for sale from Ruiz-Healy Art, Mel Casas, Crabby (1991), Acrylic on canvas, 24 × 24 in Casas was also well known as a writer and theorist. Dimensions 72 × 96 in. Casas, in conjunction with a signing of art historian Nancy Kelker’s book by the same title. There is also another Casas Humanscape painting that is currently on display in San Antonio. His "Brown Paper Report" This pop art style-blend illustrates the Chicano experience to American culture and creates a … Release Calendar DVD & Blu-ray Releases Top Rated Movies Most Popular Movies Browse Movies by Genre Top Box Office Showtimes & Tickets Showtimes & Tickets In Theaters Coming Soon Coming Soon … Compre blusões e casacos para homem na H&M. His work has been collected by the San Antonio Museum of Art, Smithsonian American Art Museum, and nationally and internationally. This exhibition is organized by Bianca Alvarez, Semmes Foundation Intern in Museum Studies, 2017-2018, for the McNay Art Museum. Getting the Big Picture: Mel Casas and the Politics of the 1960s and 1970s This figure is the centerpiece of Casas’s pop-styled painting Humanscape 62. Painted in 1970, this artwork is part of Casas’ “Humanscape” series, 2 of 9 “Humanscape 62 (Brownies of the Southwest),” a 1970 painting by Mel Casas, is part of the permanent collection at the Smithsonian American Art Museum. Casas, identified by his full given name, Melesio, is represented by Humanscape 62 from 1970, also called Brownies of the Southwest after its painted … The 153 paintings that San Antonio-based artist Mel Casas calls Humanscapes were inspired by a glimpse of a drive-in movie screen. In this blog post, Curator for Latino Art E. Carmen Ramos reflects on the importance of Casas' art. Inventories of American Painting and Sculpture, Art Bridges + Terra Foundation Initiative, Using the Nam June Paik Archive - Access and Hours, Highlights from the Nam June Paik Archive, Online Resources for Researching Nam June Paik, Publication Requests for the Nam June Paik Archive. One of the greatest byproducts of the nuclear arms race was the creation of a phallocratic race, spearheaded by academic disciplines such as Physics that up to this day predominantly embody a phallocratic language and ‘gaze’ within their departments. This painting, which comes from a larger series of works called “Humanscapes,” were actually inspired by Casas’ experience seeing a drive-in movie screen and seeing these huge images of people and things. But Casas was not just a painter. E. CARMEN RAMOS: This is Mel Casas’ “Humanscape 62,” which is a painting that he executed in 1970. Photo: MEL CASAS / COURTESY PHOTO The Smithsonian American Art Museum is proud to own paintings by artist, including Humanscape 62, which was featured in our exhibition Our America: The Latino Presence in American Art.In this blog post, Curator for Latino Art E. Carmen Ramos reflects on the importance of Casas' art. With the history of art as its foundation, Kelker took several steps to correlate Casas’ body of works to America’s social history, popular culture, psychology, gender studies, and issues of social justice. I recommended H. 62 (Brownies of the Southwest), and because by that time Mel had given his wife Grace the authority to make decisions concerning his work, the purchase was made. 723 South Brazos St. San Antonio, TX . This exhibition … S.A. residents attended the opening of SEX & CINEMA with Mel Casas, featuring the late artist's Humanscape paintings at the FL!GHT in the Blue Star Arts Complex on June 25, 2015. Humanscape 62 . Welcome to Casa Mel – Our ground floor apartment between Playa Flamenca and Punta Prima! Casas, in conjunction with a signing of art historian Nancy Kelker’s book by the same title. With the history of art as its foundation, Kelker took several steps to correlate Casas’ body of works to America’s social history, popular culture, psychology, gender studies, and issues of social justice. Mel Casas: Artist as Cultural Adjuster showcases the work of American Pop Artist Mel Casas. Who's the Illegal Alien, Pilgrim? November 24, 1929 - November 30, 2014Melesio (Mel) Casas, born in El Paso, Texas, on November 24, 1929, passed away at his home in San Antonio on Sunday, November 30, 2014. San Antonio-based artist Mel Casas died on November 30, 2014 after a two-year battle with cancer. He had a strange encounter in a drive-in movie screening in which he saw larger than life characters. Titles. I did read about his art and spent a fair amount of time thinking about his well-known Humanscape 62. He has had a number of solo exhibitions, including one earlier this year at San Antonio College, entitled Mel Casas: Artist as Cultural Adjuster. It explores how Latino artists shaped the artistic movements of their day and recalibrated key themes in American art and culture. Melesio "Mel" Casas (November 24, 1929 – November 30, 2014) was a Chicano artist, activist, writer and teacher. News Room News Archives FY 2019 News YR 2018 News YR 2017 News YR 2016 News YR 2015 News YR 2014 News YR 2013 News Jaguars in the Spotlight YR 2019 Profiles YR … New art exhibition coming to Centro de Artes June 11-Sept. 27. Casas’ Humanscape 62 crystallizes many of the recurring concerns featured in Chicano art of the late 1960s and 1970s. Available for sale from Ruiz-Healy Art, Mel Casas, Humanscape 135: #2 Mexican Plate (1984), Acrylic on canvas, 72 × 96 in The exhibit includes six of Casas’ famous Humanscape series, of which he made 150. There is also another Casas Humanscape painting that is currently on display in San Antonio. 000 16. 1 of 30 S.A. residents attended the opening of SEX & CINEMA with Mel Casas, featuring the late artist's Humanscape paintings at the FL!GHT in the Blue Star Arts Complex on June 25, 2015. The Guadalupe Cultural Arts Center . Humanscape 62 (Brownies of the Southwest) 000 13. By Mel Casas, 1969. Mel Casas’ Humanscape 87. Until very recently, Casas painted tirelessly throughout the decades. The Cinematic Genesis of the Mel Casas Humanscape, 1965-1967. All public programs are online only, on-site public tours and events are currently suspended. It will be in the “Pop América” show at the McNay. In Casas’ hands Pop Art became a vehicle for cultural, social and political commentary from a Chicano point-of-view. Available for sale from Ruiz-Healy Art, Mel Casas, Humanscape 95: Bird Watching Art (1978), Acrylic on canvas, 72 × 96 in He used visual statements, his sense of humor and love of puns to "address cultural stereotypes." Available for sale from Ruiz-Healy Art, Mel Casas, Visual Scent (1999), Acrylic on canvas, 24 × 24 in Such influences are evident in his best known work, "Humanscape 62: Brownies of the Southwest" (1970), where a plate of chocolate brownies is shown as a pejorative reference to skin color on a panoramic drive-in movie screen that serves as a backdrop to a variety of stereotypical Latinos and Native Americans. Mel Casas, Self: The Chicano Collection. The Humanscape series shows Casas at his best in painting, but also reveals his clever wit and use of satire. Humanscape 62, 1970, Mel Casas, Smithsonian American Art Museum . "Mel Casas: Artist as Cultural Adjuster" is a book that will appeal to many audiences from everyday people to academics. This site uses cookies to improve your experience and to help show ads that are more relevant to your interests. What place does the term "Latino" hold in American art history? For more information, go to www.tamusa-ecac.com. We are not announcing a reopening date at this time and will provide updates on our websites and social media. November 23, 2017 November 30, 2017 by ojodevenadocinema, posted in Chicano Art. Mel Casas Humanscape 51 Expand Favorite. I never had the good fortune of meeting Mel Casas in person. Cordova, Ruben C. Aztlan: A Journal of Chicano Studies, v36 n2 p51-87 Fall 2011. “Our America: The Latino Presence in American Art” presents the rich and varied contributions of Latino artists in the United States since the mid-20th cent IMAGE 3: MEL CASAS, HUMANSCAPE 62, 1969. Cordova’s series focuses exclusively on the artist’s 6-foot-by-8-foot works. A grinning Frito Bandito, who appears to have been carved from semi-precious stone, is perched atop a skeleton and surrounded by a series of ​“brown” references drawn from American and indigenous cultures. Medium Acrylic on canvas. Our America: The Latino Presence in American Art presents the rich and varied contributions of Latino artists in the United States since the mid-twentieth century, when the concept of a collective Latino identity began to emerge. 000 14. This painting, which comes from a larger series of works called “Humanscapes,” were actually inspired by Casas’ experience seeing a drive-in movie screen and seeing these huge images of people and things. Casas clearly was in tune with the art movements of the 1960s, and had mastered formalism, Pop art, and conceptual art by the end of that decade. Courtesy San Antonio College Show More Show Less 3 of 10 "Humanscape 62 (Brownies of the Southwest)," a 1970 painting by Mel Casas, will become … Casas, the goals and future of the Chicano Art movement was … Photo: MEL CASAS / … In 2012, the Smithsonian purchased its second work by Casas, Humanscape 62 (Brownies of the Southwest). An influential artist, theo The trio of exhibits trace almost the entire progression of Mel Casas' 150 Humanscape paintings from 1965 to 1989. For example, Kelker demonstrates how Casas’ "Humanscape 16" features four identical young female moviegoers who readily abandon their personal uniqueness and sense of beauty by replicating the look and mannerisms of the bleach blonde, big sunglasses wearing bombshell on the screen. ¡Cesen Deportación! Here, he depicts a large plate of yummy brownies as they might appear in a television commercial. As one in a series of his "Humanscape… Getting the Big Picture: Mel Casas and the Politics of the 1960s and 1970s Cordova’s series focuses exclusively on the artist’s 6-foot-by-8-foot works. His work has been collected by the San Antonio Museum of Art, Smithsonian American Art Museum, and nationally and internationally. Melesio "Mel" Casas (November 24, 1929 – November 30, 2014) was a Chicano artist, activist, writer and teacher. “Our America: The Latino Presence in American Art:” A Radical Proposal` The first juxtaposition in the lecture by E. Carmen Ramos that introduced “Our America,” an exhibition at the Smithsonian American Art Museum, told the story she wanted to tell: the 1986 painting by Frank Romero of the police shooting of Rubén Salazar in 1970 next to “Washington Crossing the Delaware.” Mel Casas is on Facebook. Humanscape - An Exhibition in Tribute to Mel Casas By Office of University Communications Tuesday, 05 26 2015. Mel Casas: Human is presented in tandem with Pop América, 1965–1975, in which the artist is also featured; the two exhibitions mark the premiere of the artist’s work at the McNay. Humanscape 62, 1970, Mel Casas, Smithsonian American Art Museum . IMAGE 2: MEL CASAS, HUMANSCAPE 63, 1969. Ester Hern ndez. Mel Casas. It will be in the “Pop América” show at the McNay. 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